-Plot
-Themes
- Subject matter
- Narrative
- Settings
-Stars
-Stock characters
-Styles
-Motifs
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I created this diagram from my own knowledge of certain film genre conventions, allowing me to refresh my memory and consider examples of what conventions they may include. |
Genre began as a commercial idea, generated by Hollywood in
the 20s to generate income; this was when during a time when the major studios
were established. Marketeers gave films a label, categorising them so that the
audience could for the first time decide what they wanted to see, they would
know what to expect and be drawn to the cinema, allowing studios to see which
genres made the most money and thus gain the advantage.
Conventions and Paradigms
Genres work to sets of conventions, responding to these by developing formulas and patterns, known as Paradigms. Conventions being what you would expect to see or hear in a media production, usually pertaining to the film genre.
Paradigms may acquire typical dominating ways of seeing and of representing the world around us, and can be grouped for those relating to:
Iconography- (main signs/symbols an audience sees or hears)
Structure- (the way a text is put together and the shape it takes)
Theme- (issues and ideas it deals with)
The positives and negatives of Genre:
Negatives: Rigourous conformity to established conventions can
lead to the stagnation of a genre, for example Hollywood Westerns and Musicals
started off very profitable but their formats became stale due to
over-repetition of conventions.
Positives: Films that do not rely entirely on over-used
conventions and prefer to challenge them help evolve a genre and increase its
durability in today’s ever-changing society, e.g. Moulin Rouge defied audience
expectations of a Hollywood Musical, being more contemporary and open with the
passionate side of love.

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