Wednesday, 27 November 2013

2013 Post 38- Film Poster Feedback

I gained feedback on my film poster from young adults aged 18+, below I have summarised their responses into key areas for me to address:

Likes:
  • illustration with reality
  • how well the drama is portrayed
  • the mysterious effect
  • the font style
Dislike:
  • unclear what the drawing represents
  • the writing is hard to read
  • image looked too rough and depressing
To improve:
  • smooth title edges to appear clearer and fit better with the image
  • make the image darker for more mystery
  • change the size of the drawing to fit other character better

Tuesday, 26 November 2013

2013 Post 37A- Summary of film poster

From my research into Drama film posters, I believe I have followed conventions fairly well and gained tips and inspiration from good film posters.

I made the title bigger and bolder than the other text and in a central position to catch the eye, whilst the colour scheme is muted and toned down, which can be seen in many drama film posters to reflect the solemn tone.

Awarded Best Drama film poster 2012 I gained inspiration to use a creative, bold title font and softer colours toned down
The main image shows our film's main character, he appears lonely and serious in an empty landscape to reveal the genre's serious mood, and the text font is sophisticated and sharp to reflect this.
I used a vast landscape to set the realism and themes of isolation typically seen in Drama films, and my text style is also subdued yet effective to state key information



 The unique selling point of my film poster would be the illustration of one of the characters, it is starkly surreal against the realistic image and the white contrasts against the muted colours to immediately draw the viewer's attention. This un-realistic image is designed to reflect the loss of memories which is a key aspect of our short film, by having it positioned beside the boy, I hope to convey the main character's inner confliction determining what is real and what is not, as well as represent the key scene of the film where everything goes wrong.

Monday, 25 November 2013

2013 Post 37- Final Poster Idea

After gaining feedback on my four rough designs for my film poster, I decided on one to use as a base so that I could develop on it with my illustrations.



Number 1 was the favoured poster, as the character was facing away from the viewer which was mysterious and did not give anything away of the film. The text was clear and creative, the quote was also intriguing and just caught the viewer's attention more than the other designs.
Number 2 was not clear enough to the viewer, and the main image was not effective at capturing their interest as it was described as 'unappealing'. The meaning of the film was not portrayed clearly enough through the visuals, which is also what let design 3 and 4 down.


Thus, using this design as a base I developed it by taking a picture of the scene and editing it on Photoshop, including other elements of my poster drawings for a rough idea. I wanted the title to stand out so I made it 3D, and the other text was created in a hazy-like font to mimic the fading of the written tagline, which reflects the loss of memories in the film. The cast credits were taken from an existing film poster and edited to appear faded and fit with the pale text colour scheme.



I gained additional feedback on this rough design to inform my final product, this included the idea of changing the layout of my poster to portrait, as film posters today usually are portrait so that the main image can be used on the DVD release of the film. This was the first adjustment I made, I think it helps give a sense of order to my poster, I can put the most eye-catching pieces in the centre and frame them with the other information for a balance.
I was not entirely satisfied with the rough design's text style and colours, so I changed these to create a darker tone to the poster that was visually striking for the viewer.


By using part illustration and part Photoshop to create this final poster below, I connote the main theme of our short film, 'memory loss', as the illustration details what is not real and the main photo is of reality. I believe this is very disorientating and strange for the viewer; effects that I want to reflect in our short film, and will thus engage them enough so that they desire to watch our project.

 
 


Sunday, 24 November 2013

2013 Post 36- Rough Poster Designs

Following the film poster conventions of a title, tagline, iconic image and additional information,  I came up with four rough designs for our short film's poster.
For each main image I used scenes from the film to immediately draw the viewer in to the action, and a large, bold font style for the title that would easily stand out. I think that the drama genre is fairly clear from my designs, as the character identities are unknown and the situations that they are in present a sense of seriousness or suffering. As well as this the taglines are short but leave an impact on the viewer, placed at the top of the poster as many drama film posters do.




Sunday, 17 November 2013

2013 Post 35- Poster annotation

My annotation of 'The Hunger Games: Catching Fire' film poster

'From Russia With Love' annotated poster I used as a reference

2013 Post 34- What makes a good film poster


Marketing can be just as crucial to a film’s success as the production processes; good marketing through media like film posters may often help a film achieve recognition just by catching the public’s interest which is why they are very important. Below I have created some tips for me to follow in order for my film poster to grab an audience’s attention:

1.       Grab audience’s attention- Don’t design a poster for art, their purpose is to sell tickets so creating a piece of art for decoration will not be effective. Have a large title that immediately conveys to the viewer the genre and overall tone, many indie films have small font that is difficult to read.

 
‘400 Blows’ too much text of varying sizes, the poster appears too complicated

‘X’ 1992, Black and white symbol is very eye-catching, little text to balance out large font size
 
 
 
 


2.       Iconography- Having an image tell the viewer the themes and plot of the film without directly telling them. Image must convey central idea, problem or conflict of film, not necessarily all your actors and locations. Don’t use too many colours, film posters are designed to catch the eye and then create a sense of intrigue, with too many colours it will begin to look like an art-piece.
‘Lincoln’ iconography conveys drama genre, black and white image of famous American President.
‘Sssssss’ The bright colours and font suggest comedy but the image suggests horror, the genre is mostly unclear to the viewer and the sizing of the images in unrealistic.
 
 
 

3.       Incentive- Putting the viewer in the middle of a scene from the film creates tension and an incentive to see film to find out more. It is unwise to feature characters on a poster unless they are film actors, the viewer will not care unless they are recognisable. For well-known stars, directors or producers, often film poster designers don’t need to emphasise their involvement as current fans of them will already know and new fans will not be as interested.
The King’s Speech’ has too many well-known actors in one small space, overcrowded and it is not clear who the focus is supposed to be on so the viewer is put off.
 ‘About Cherry’ An image of an attractive woman, using sex appeal and intrigue by not revealing her face.
 
 
 
 
 

4.       Bold/Unique Style- Having a bold/unique artistic style which is consistent with all film promotional items. Stick to film poster conventions, especially those pertaining to our genre, there is a certain layout that notifies the viewer that it is a film poster and not an advert selling something else.
‘Tooth Fairy’ The tagline completely takes over the whole poster, making it unclear as to the title of the film. The main image is also very small and not clear, making the poster bare, with many empty spaces.
‘The Odd Life Of Timothy Green’ The title itself is unique with a distinctive font style the mirrors the main image. The text and iconography work together to balance out poster and blank space is not noticeable. 
 
 

5.       High resolution- All images should be in high resolution as film posters are large. Generally film poster designs are used for the DVD release cover, meaning that the design can’t be too complicated otherwise it won’t be clear to the viewer. In the past illustrations were more common than the photographs used in today’s age.
‘The Frost Witch’ A made-up film and poster by Nathan Brown, he uses a very clear image of a girl’s face, emphasised through Photoshop that immediately pleases the eye to view all the tiny details.
   ‘Corky Romano’ The face cut-out appears amateur-like, and is lit too brightly in a way that is unflattering for the whole colour scheme, the viewer would rather look away.
 
I found a lot of my information from this website which has helpful tips on making successful film posters: http://www.chrisjonesblog.com/2012/11/how-to-design-a-movie-poster-%E2%80%93-top-ten-tips-to-grab-the-eye-of-a-sales-agent-distributor-or-audience-member.html
And this website was where I found the stunning 'The Frost Witch' poster, and instructions on how to make one similar using Photoshop which I will definitely keep in mind: http://www.chrisjonesblog.com/2012/11/how-to-design-a-movie-poster-%E2%80%93-top-ten-tips-to-grab-the-eye-of-a-sales-agent-distributor-or-audience-member.html

2013 Post 33- Posters specific to my genre


Audiences need to understand the genre of a film through the film poster in order to know whether they would be interested in seeing it or not.  If it is not clear to the audience, the film may lose potential consumers. For example, ‘Nacho Libre’ is clearly a comedy film as the poster is very colourful, the font is loud and the character is posed and appears in a very funny manner.

Below I have analysed some drama film posters to see what conventions and styles of this genre I can incorporate into our short film’s poster.


‘Suicide City: Whos That Knocking At My Door’  and ‘Tinker Tailor Soldier Spy’ both feature a large image of a man’s expression as a central focus. The audience can assume that they are the main characters, and that the film is serious due to their grim expressions. The Titles and text feature at the bottom of the posters so there is no clutter around the faces, but there are small amounts of text on the characters, such as the tagline on the man’s glasses for ‘Tinker Tailor Soldier Spy’.
The audience can identify that ‘Suicide City: Whos That Knocking At My Door’ is a drama film, not only by the sombre expression, but the Title is black and leaves a dramatic impact. There is blood on the character’s body and his glasses are broken, suggesting pain, suffering and violence which are all common themes within drama films.
‘Tinker Tailor Soldier Spy’s’ character appears in code which alludes to the espionage theme, this code also crumbles at the edges suggesting that something will go wrong, and there will be an unexpected turn of events conventional of drama films. Additionally there is a target on the blood red chess piece in the title, hinting at potential character deaths or threats to add a sense of drama for the audience.
 
These two drama film posters feature a very similar vertical image to draw in their audience. It is an unusual perspective that immediately adds drama, since the scenes are unbalanced the audience do not feel secure and there are no character faces with which they can identify with to feel reassured.

Both titles and texts are white to stand out from the backgrounds and fit within the colour schemes, although ‘Super 8’s’ font is bold and dramatic whereas ‘The Captain’s is thin and emotionally engaging with the audience.
‘Super 8’s’ poster is dark-toned; there is a thunderous sky and black silhouette of a landscape pertaining to key events in the film’s narrative. These are very ominous and notify the audience of the dramatic genre, although the overall film remains a mystery as the poster only reveals a title, date and the important cast-members, who are well-known and capture the audience’s attention.
Immediately, ‘The Captain’s’ poster lets the audience know that it is of the drama genre as there is a trashed and burning car contrasting with the beautiful blue sky. This is chaos and beauty intertwined; the two key elements to any drama film. The character is dressed in a navy captains uniform therefore the audience realises that they are ‘the Captain’, the main focus of the film, and he is holding his head in his hands and hunched over connoting grief and sadness that are usually seen in the drama genre. The fact that he is sitting atop the wrecked car directly links him to a tragic event, one that disturbs the peace symbolised by the picturesque sky, and so the audience is encouraged to sympathise with them as drama films tend to do.
 
 
Taken from this website
The majority of these drama film posters include a central character, one that the audience is encouraged to identify with through their expression, which also reveals the tone of the film. Most of the posters contain sombre colours like black and white to reflect the genre mood, and the titles are innovative and eye-catching. This is similar to film posters of the past, such as ‘Anatomy of a Murder’ 1959 and ‘Raging Bull’ 1980, although the colours of these appear dated, drama film posters do not appear to have evolved significantly as key conventions have been maintained with the rapid growth of digital technology.
 
 
 
 

 

2013 Post 32- Film Posters


Film posters have the commercial purpose of promoting a film to their target audience, thus they can be analysed to see how well they fulfil this role. Conventionally, film posters include a Title, Tagline and Credits to crew-members, the Tagline however would be suited for each film individually depending on its genre and tone but is generally intended to draw the audience in.

Conventions can also include the key visual image being centred as this is where the eye naturally tends to focus, an eye-catching design that is simply yet effective, large and bold typography and an engaging style with colours to draw in the audience.

Types of film posters

X-Men Origins: Wolverine teaser poster
Teaser poster: One that doesn’t reveal too much about the film, but enough to entice the audience. Often featuring the stars and release date.

 Theatrical Poster: The main poster for a film, containing information on the production members, distributors, stars and title.

Video/DVD Poster: Released when the film is released on Video/DVD, containing all the information of a theatrical poster and short reviews from film publications.

Character Poster: Featuring the main character/s as the central focus, often to promote the star.

 

Film Poster’s attract their target audience through a variety of techniques:

Narrative: What impressions the audience can gain about the film’s genre, characters and events. These can be formed through an actor’s facial expression, body language and costume to given an idea of the character’s personality, and stills from the film of significant moments.

Image: Visuals of key settings and main characters an audience can identify. Including the graphics of the title, mise-en-scene, stars and key images.
The text here really stands out

Colour: The colours used in the poster. Usually relevant to the film’s genre, e.g darker colours for horror and dark-toned films, whereas lighter shades are used for romance and comedy to set the mood for the audience.

Text: Written text on the poster. The font can tell the audience about the genre and tone of the film as well as whom the film is targeted at, it includes the cast list and any given information such as a certificate and a website.

Layout: How the images and text are laid out for the audience to view. Posters can either be portrait or landscape, and the position of images and text can allude to the genre and themes of a film.

USP: The Unique Selling Point which differs for each film poster. This is where a poster will be different to others, drawing their audience either through stars, setting, theme, plot or characters.

 

2013 Post 31- Second Film Draft Feedback

Our short film's second draft:




We gained feedback for the second draft of our short film:


Our focus group consisted of males, as we believed they would be able to relate more with our film's main protagonist 'Thomas'. This audience ranged widely in age, from 15-30+ which is our target demographic, as well as in interests as some were film fanatics whereas others knew less about productions.



The questions I asked and the answers:


This focus group was very helpful at providing useful feedback for my group and I to consider in order to make changes to our short film. Their range in psychographic allowed for varied responses and perspectives on our film, highlighting areas we would have been unaware of which needed addressing.

It was great to see that they were able to guess the film genre and target audience correctly, and were not confused by the concept of 'Catalyst' which shows that we have made excellent progress in getting our project's message across.

The main area which we needed to improve on was making transitions between music and clips smoother, as well as highlighting the enigma of our short film; why people are forgetting their memories. This can be done by reinforcing moments of memory theft and editing the transitions.

2013 Post 30A- Film rough cut

The rough cut for our short film with feedback


We created a questionnaire to gain feedback on our short film's rough-cut. Our audience consisted of teenagers aged 16-18 who have some interest in films.

 
 
Our genre and target audience were correctly interpreted from our viewers, and they liked our film's idea and characters. However, the storyline as it is right now is not believed to be dramatic enough without musical elements and it is confusing. We can improve on this by adding sound effects and background music, as well as making our shots flow better for easier understanding.


2013 Post 30- Post-Production

The screenshots show our editor Laura working on different aspects of editing for our short film on Adobe Premiere Pro and Adobe Audition software.
Our imported sequences were kept to the side for easy access, at this point music was about to be added

This shows the editing of a section of audio on Adobe Audition, this technique was learnt from tutorials on Lynda.com

Another example of sound editing on Adobe Audition, this time the noise reduction could be edited to bring forth dialogue

 

2013 Post 29- Production

The production for our short film was a much more complicated procedure than the production for our short film opening sequence. This was because we had more scenes and shots to film, thus production took place over a longer space of time, with frequent delays due to our cast members and equipment being unavailable.  Despite the challenges, my group and I greatly enjoyed shooting for our project, and by filming shot by shot, though time consuming, allowed me to control the footage and bring each scene to life. I have also included some images taken by my colleague whilst I was working with the camera.


Equipment could be set up easily in different locations
Negatives:
  • The main challenge was trying to organise dates when all of our cast were available for shooting and when we could hire the equipment, filming went on for longer than we'd hoped because of this.
  • There was one scene that we had to re-shoot after watching the rushes and discovering several issues, so re-creating that with the same mise-en-scene and shots was challenging.
  • Due to the time of year, we lost daylight fairly quickly which was an issue for the morning and outdoor scenes wherein we needed plenty of light

Scenes with character movement would be practised before shooting

Manoeuvring around locations was essential for the right shots

I had to adjust the tripod to fit me within scenes when I appeared

Positives:
  • Once set up, my group and I worked fairly quickly during the filming process, and we were able to take multiple shots of scenes very efficiently
  • Our storyboard and shooting schedule helped significantly in capturing each shot with how it had originally been envisioned
  • All our locations were relatively simple to shoot in and were within walking distance, allowing us to resolve issues quickly and not waste time with transport
To improve, I believe my group and I should clearly come up with dates when we would be available to film, and try not to rush complex scenes for better results. I realise  now that theproduction of any film, even a short one can take a significant amount of time and this needs to be prepared for efficiently.

2013 Post 28- Pre-production Shooting Schedule

From our shot list we devised a shooting schedule, listing our shots in order of when they will be filmed during production. This should avoid confusion when my group and I begin to film.
Our outdoor park scene and morning shots would need to be filmed first so that we have the daylight available, as it gets dark quite quickly.

2013 Post 27- Pre-production Shot List

Here is our short film's shot list containing a compilation of our shots for the production stage, it includes details of each shot so that we are familiar with what we will be filming. Will be including six scenes in total for our short film, so keeping track of each shot in this way will be very important.

2013 Post 26A- Risk Assessment

The bedroom location for the first scene is narrow and small, so objects have to be kept to one side as they could be a hazard. The roof also slopes to one side so our cast-members have to be careful of this, and the bathroom has tile which is slippery so any camerawork has be filmed outside and our actors have to be careful.
The kitchen scene has objects on counters which have to be kept away from the edges in case they are knocked during filming. There are sharp edges on the counter-tops, this will have to be kept in mind and our characters will have to position away from these.

For the town scene, pedestrians will travel on the path despite this being a quieter area, so we will have to move to the grass during these times. We can easily manoeuvre around the tree and lampposts and keep our cast members aware of where they are in case of a collision. There are also cars nearby so we will have to be mindful of these.

The living room scene and the hallway is narrow so any equipment and obstacles must be cleared from the path of our crew, to prevent accidents, and the number of cast members will have to be limited in this space. There is a heavy treadmill in the living room and large sofas that the crew will have to be mindful of, and I will warn them to not get the equipment or themselves too close to the radiators in both rooms as they can be hot.

2013 Post 26- Pre-production Location Recce

For our six scenes we completed a location recce for each, looking at the technical aspects as well as doing a risk assessment for any hazards.

Bedroom: From the late morning to early afternoon there will be a sufficient amount of light for filming, as there are two large loft windows. The bed is closed off slightly by one wall but there is enough space for our character to get in and out easily although the camera positions are limited. Our equipment can be easily kept to one side of the room for enough space to film with a tripod.
The bathroom is narrow and small so the camera will have to film from the doorway but there is another large loft window for plenty of light.
Hazards: Objects on the floor will have to be kept in one corner of the room away from me  whilst filming and our actor's movements.
The roof slopes on one side of the room so our cast-members should keep to the other side in case of an accident. The camera will be kept outside of the bathroom as the flooring is tile and, if dropped, it could damage the camera and also our actor will have to be careful not to slip.
Kitchen: Plenty of natural light from the large window, it can also be toned down with the use of the blind. Plenty of space for character movement but limited space for camera manoeuvres, filming will have to be down from four corners of room.
Hazards: Objects on counters will have to be kept away from the edges in case they are knocked during filming. There are sharp edges on the counter-tops, this will have to be kept in mind and our characters will have to position away from these.




Town: In the morning to early afternoon there is plenty of natural light, but the weather will need to be checked before filming in case of undesirable conditions. A lot of space for camera and character movements, and this area is less busy than the town centre yet still retains the street 'look' we were aiming for.
Hazards: Pedestrians will travel on the path despite this being a quieter area, so we can move to the grass during these times. We can easily manoeuvre around the tree and lampposts and keep our cast members aware of where they are in case of a collision.






We also looked at the city centre of Hemel Hempstead but this area would be too busy

 
Living Room and Hallway: These scenes will be filmed at night so artificial lights will have to be used. There is sufficient light for both rooms, but if shots appear too dim we can use the light reflector to brighten actor's faces. The hallway is fairly narrow so camera manoeuvre may be limited, but there is plenty of space in the living room for this as well as sockets for charging equipment if need be. Certain large items such as the treadmill in the living room may be removed during filming as they can be distracting.
Hazards: The hallway is narrow so any equipment and obstacles must be cleared from the path of our crew, to prevent accidents, and the number of cast members will have to be limited in this space. There is a heavy treadmill in the living room and large sofas that the crew will have to be mindful of, and I will warn them to not get the equipment or themselves too close to the radiators in both rooms as they can be hot.